THE LONG PLAY

This year, Every Sunday Evening, Album Rock WXYG, The GOAT will feature a full album at 8:00 PM from the halcyon musical days of 1975. 1975 was one of the top Years in Album Rock history. Another year of tough choices every week. So many great ones to choose from.

We hope you’ll tune in next Sunday, May 4th, for “Red Octopus”, the second album by Jefferson Starship, released on Grunt Records in 1975.

Certified double platinum by RIAA in 1995, it is the best-selling album by any incarnation of Jefferson Airplane and its spin-off groups. The single "Miracles" was one of the highest-charting singles any permutation of the band had. The album itself reached No. 1 for four non-consecutive weeks on the Billboard 200.

Technically speaking, Red Octopus was the first album credited to Jefferson Starship, though practically the same lineup made Dragon Fly, credited to Grace Slick/Paul Kantner/Jefferson Starship. The difference, however, was crucial: Marty Balin was once again a fully integrated band member, writing or co-writing five of the ten tracks. And there can be little doubt that it was Balin's irresistible ballad "Miracles," the biggest hit single in the Jefferson Whatever catalog, that propelled Red Octopus to the top of the charts, the only Jefferson album to chart that high and the best-selling album in their collective lives. This must have been sweet vindication for Balin, who founded Jefferson Airplane but then drifted away from the group as it veered away from his musical vision. Now, the collective was incorporating his taste without quite integrating it -- "Miracles," with its strings and sax solo by non-band member Irv Cox, was hardly a characteristic Airplane/Starship track. But then, neither exactly was Papa John Creach's showcase, "Git Fiddler," or bassist Pete Sears' instrumental "Sandalphon," which sounded like something from an early Procol Harum album. Slick has three strong songs, among them the second single "Play on Love." Like Dragon Fly, Red Octopus reflected a multiplicity of musical tastes; there were ten credited songwriters, seven of whom were in the band. If there is any consistency in this material, it is in subject matter (love songs). The album is more melodic than the Airplane albums, which made it more accessible to the broader audience it reached, though "Sweeter Than Honey" is as tough a rocker as the band ever played. Overall, this is a great album that anyone who loves rock & roll can appreciate.

Tune In and Turn On next Sunday, May 4th, and every Sunday evening at 8:00 PM for The GOAT'S "The Long Play with Al Neff.