
This year, Every Sunday Evening, Album Rock WXYG, The GOAT will be featuring a full album at 8:00 PM from the halcyon musical days of 1976. 1976 was one of the top Years in Album Rock history. Another year of tough choices every week. So many great ones to choose from. After 52 Weeks of featuring so many of the great albums that debuted in 1975, next Sunday we will be moving on to another amazing year of ALBUM ROCK EXCELLENCE, 1976.
We hope you’ll tune in at 8:00 PM, Next Sunday, April 5, 2026, for “A Night on the Town”, Rod Stewart's seventh album, released in 1976.

This album is regarded as one of Stewart's finest. "The Killing of Georgie" has one of Stewart's most hard-hitting sets of lyrics, a melancholic tale of a friend who is cast out by his family and becomes a sensation in the New York nightlife, only to be murdered by a New Jersey gang during an attempted robbery. Controversial "Tonight's the Night" was a No. 1 hit but was banned by some radio stations due to the very obvious lyrics about sex and loss of virginity. A cover of Cat Stevens' "The First Cut Is the Deepest" was also a success and has since become one of Stewart's signature songs.
In some ways, it's easy to think of A Night on the Town, Rod Stewart's second album for Warner, as a reprisal of the first, cut with many of the same musicians as Atlantic Crossing, produced once again by Tom Dowd, and even following its predecessor's conceit of having a "Slow Side" and "Fast Side" (granted, this flips the two around, opening with the slow one first). Superficially, this seems true, but A Night on the Town has a crucial difference: despite its party-hearty title, this album finds Stewart folding folk back into his sound, a move that deepens the music tonally and emotionally, particularly in the case of "The Killing of Georgie (Pts. 1 & 2)," Rod's most ambitious original. A winding, sensitive narrative about the murder of a friend.
"The Killing of Georgie" finds Stewart filtering Dylan through his own warm, conversational style, creating a remarkable work unlike anything else in his body of work, yet the song's smooth synthesis of folk storytelling and soul, act as an appropriate conclusion to a side-long suite of songs of seduction, beginning with his classic come-on "Tonight's the Night (Gonna Be Alright)," running through his splendid reading of Cat Stevens' "The First Cut Is the Deepest," and his fine original "Fool for You." On the Fast Side, Stewart has only one original -- the lewd, riotous "The Balltrap" -- but he more makes up for it by spinning two country classics, Gib Guilbeau's "Big Bayou" and Hank Thompson's "The Wild Side of Life," into thick, Stonesy rock & roll, and turning Manfred Mann's "Pretty Flamingo" into a rave-up. With all this in mind, A Night on the Town isn't a revival of Atlantic Crossing, it's its inverse, with Stewart shining as an interpreter on the fast songs and writing the best slow ones, but it's also its equal, proving that Stewart could still stay true to his open-hearted, ragged soul while on a big budget.
Tune In and Turn On Sunday evening, April 5th, and every Sunday evening at 8:00 PM for The GOAT'S "The Long Play with Al Neff”.